Best-Selling Author Charlie Donlea Shares His Path to Publication

Described as a “superb psychological suspense writer” by the Seattle Book Review and a crafter of endings “that make your jaw drop” by the New York Times Review, Charlie Donlea has sold more than 1.5 million copies in the U.S. His books have been published in forty countries and translated into nearly twenty languages. How did he get his work out into the world? What did he have to do and who did he have to meet? That’s what he will be discussing with BWW members on June 15th at Barrington’s White House.

His talk will focus on his path to publication. He will describe his process of writing and editing for publication. How did he find and work with an agent, editor and publishing house? He won’t keep us in suspense as he reveals his personal journey of becoming a best-selling author. Doors open at 9:00am. The BWW session begins at 9:30 am. Coffee, tea and pastries will be served. But that’s not all! You’re invited to stay for more insights from this author during the public event that follows at no cost.

Mr. Donlea has agreed to give a public presentation at 11:00am at Barrington’s White House. During this event he will talk about being a writer while balancing marriage, parenthood, and a full-time profession outside of the publishing industry. He will share the story behind his stories, where his ideas come from and what he’s learned from critics, readers, and publishing insiders. His 2021 book Twenty Years Later, a New York Times Best Thriller, is being adapted for television. BWW members will receive free admission to this event. Get inspired by this engaging author and his work.

Mr. Donlea’s page-turning thriller books include: Summit Lake, The Girl Who Was Taken, Don’t Believe It, Some Choose Darkness, The Suicide House, Twenty Years Later, and Those Empty Eyes.

Barrington’s White House is located at 145 W Main Street in Barrington. Please let your manuscript chair know if you plan to attend the event on Saturday, June 15th.

 

Author Neil King Jr. Talks the Walk

By Mary Klest

Neil King Jr., author of American Ramble and former journalist at the Wall Street Journal, walked into Barrington’s White House with a smile on his face and a backpack slung on his left shoulder. His book describes a journey he took on foot from Washington DC to New York City. After many interviews with newspapers and tv, he was excited to talk with members of the Barrington Writers Workshop about the craft of writing. This was his first and thus far only writers group audience. In an intimate setting he began by telling us that his interest in observation was with him even as a boy. He kept a journal and chronicled his days. After leaving the WSJ and having received a cancer diagnosis, he intended to explore a more personal form of writing and living simply with focused attention during his walk. But the pandemic delayed his start date for a year.

Neil King Jr. talking with members of the Barrington Writers Workshop at Barrington’s White House.

 

I’ve broken down some of the key ideas he talked about that we as writers can all benefit from. BWW members in attendance can share some of their take-aways in the comment box below. Here are some of mine.

Be committed

King spent the time during the COVID-19 lockdown researching and planning. He didn’t give up on his idea. He knew the story structure. He talked with potential publishers before embarking on the journey. They asked why anyone would want to read about his walk. He told the group to be ready with an answer to that question. The folks at HaperCollins liked his answer. Even if he had not found a publisher, his commitment was so strong he said he would have self-published.

Create a persona

He was the author yet he had to look at who he was as narrator of the story. Would he be likable, trustworthy, a good storyteller? This portrayal of himself needed some personal scrutiny, so he took time to think about it. This is part of the writer’s craft – who’s telling the story?

Build and keep momentum

His is a linear story, starting at one place and ending at another but he introduces characters, landscapes, and history in “nuggets” to keep the reader’s interest. He was careful not to get bogged down in too much detail on any one subject since we all know reader attention can wane. He weaved threads throughout the book that would build upon each other. King also talked about how the Greeks held two concepts of time, chronos (quantitative, chronological) and kairos (qualitative, untethered). He uses both in a satisfying way to keep the reader moving with him.

Review / edit

King shares his first draft with ten people he knows to get their feedback before sending his work to an editor. A veteran writer, he didn’t worry about his writing but remained open to feedback. “It’s amazing how moving one sentence into a paragraph or spreading things out can make music.” His first editor left the company after two drafts. King was given another younger editor who he asked to review it for anything “cringeworthy.”  He was satisfied with the editing process and proud of the finished product.

King didn’t write for the market. He followed his interests. His authenticity shows in the book and during his talk. Of time, territory, people and places he said: “It’s there for any of us.” He ended the session with a quote from Mary Oliver: “Attention is the beginning of devotion.”

An Interview With Sci-Fi Writer Lance Erlick

Lance Erlick is the author of several sci-fi thriller books including the Regina Shen series, the Rebel series, Xenogeneic and his latest series Android Chronicles.

On your website you describe your work as: “Action-packed, science fiction thrillers with strong female characters.”  Why female protagonists?

Writer Lance Erlick I’ve been drawn to writing strong female characters because I grew up with strong, clearly defined women. My mother moved to Chicago when she was 18 to work in early radio. After the start of World War II, she volunteered for the navy. She put herself through college to get her BS, masters, and PhD, as a single mom. My paternal grandmother got her bachelor’s degree in math in 1917 because she was told women couldn’t major in chemistry, her primary interest. I found myself in the care of quite a few women, most of whom were highly motivated, with well-defined personalities. I began writing from the female POV when a character in one of my stories dared me to write her story.

Your latest series is called Android Chronicles. What is your fascination with androids – robots that look like humans?

During my lifetime, I’ve watched robots and computers evolve from clunky, difficult to use playthings to sophisticated machines and the beginnings of artificial intelligence. I became fascinated by the implications of making them more capable and refined. In some regards, an android that can physically and verbally pass for human presents one ultimate direction in refining robots. Certainly, not the only path, but if an android can pass for human in every measurable way, would it deserve human rights? That’s a question my stories wrestle with.

How did you come up with the idea for the Android stories?

I have been pondering android stories for quite some time but couldn’t quite create a framework until the idea came to me to write from the point of view of the android. Then the story practically wrote itself. I felt like I was typing dictation in creating it. Quite an inspiring experience.

What kind of research did you do to make the androids’ superpowers appear realistic?

I grew up reading Isaac Asimov and his various robot stories, which wrestled with artificial intelligent machines acquiring many human attributes. That stimulated my imagination to conjure up my own versions. In trying to come up with a viable storyline, I researched recent developments in both robotics and artificial intelligence and extrapolated. I wanted the intelligence to be entirely contained within the android so that it/she was not confined to being connected to outside computers. One book I enjoyed during this research was Artificial Intelligence by Melanie Mitchell. 

You’ve written several series.  Do you have a secret sauce for writing series?

I didn’t start out to write series. My first was Rebel. I couldn’t get Annabelle Scott out of my head until I gave voice to her story. My second series, Regina Shen, was envisioned as a series with five major stories. Android Chronicles: Reborn was written as a standalone, but as soon as I finished, much more of Synthia’s story welled up. As for secret sauce, all I do is write the stories that come to me.

What was your publishing experience like for the Android Chronicles?

Right after I finished the rough draft of Android Chronicles: Reborn, family health issues took me away from writing, publishing, and marketing at the pace I’d done previously. I contacted a number of agents I’d pitched in the past. One took on my new series and Kensington published it. This was a huge help since they did the final editing, the cover, and publishing. They took care of most of the marketing. I was very satisfied with how they handled my stories.

You sell your books through Amazon, Barnes & Noble, Kobo, Google Play, and Apple iTunes. Are those last three venues audio books, eBooks?

Kensington placed the audiobooks for Android Chronicles such that they are up for sale at all of those outlets, as are the eBooks. The last three sites add to my overall sales, but Amazon is still the big player.

You attend a lot of author fairs, why?

Going to events is an opportunity to step away from the solitary writer role and meet with other authors and potential readers. The best event I went to was one that lasted a few hours. A half hour prior to closing, most of the writers left. I was the last one there, packing up my books when a woman walked in, wandered over and we began talking about her interests and my books. She ended up buying one of each, eleven books in total.

What role does social media play in promoting your books?

I got heavily involved with using social media to promote my books. However, social media requires constant involvement to keep up. With family health demands, I haven’t had the time to continue doing so. I’m hoping to move back out in 2024.

For more see this post for Lance’s thoughts on getting book reviews.

Reborn book by Lance Erlick

Welcome New BWW Board Members

Unique, strong, supportive, historic, encouraging were some of the words used to describe the Barrington Writers Workshop at its general meeting held on August 29, 2023. Such an atmosphere of appreciation blossomed organically by members in attendance. Good vibes permeated the meeting as the group honored current Board members and welcomed new Board Members. Bev Ottaviano, Tamara Tabel and Angela Lebovic are moving on after years of dedicated service to the BWW.

BWW Board members 2023

From left to right: Bev Ottaviano, Harlene Henry, Todd Arkenberg, Miles Ducore, Mary Klest, Jennifer Buehler

The new incoming Board members were introduced and shared some ideas on how they intend to contribute. All agreed that what makes the group successful is its mission to encourage and support members as writers. Below are the people who will be stepping into the Board positions for a two-year term starting September 1, 2023. Their contributions in each role are much anticipated.

Chairperson: Todd Arkenberg (pen name: T.D. Arkenberg)

Vice Chairperson Programs/Media: Mary Klest

Secretary: Harlene Henry

Treasurer: Miles Ducore

Membership: (Designee To be Determined)

Manuscript Chairs: Morning online, Bev Ottaviano; Evening online, Keith Mulford; Morning in-person, Jennifer Buehler.

Congratulations to all the Board members who have served and those who will be serving to keep the BWW strong and a great place “Where Good Writers Grow”.

Remember to submit your annual dues. Here’s a reminder of benefits for joining or renewing your BWW membership:

  • Read your work and receive critiques at our meetings
  • Attend special member-only lectures and workshops
  • Publish your profile or bio on the BWW website
  • Link to your book/blog/author site from the BWW website
  • Network with other local writers

 

BWW Poets Share Their Work at Poetry in the Park Event

Several BWW poets read their work during the second annual Poetry in the Park event held at Citizens Park in Barrington. Organized by the Barrington Cultural Commission the outdoor event theme was Summer: Sunshine and Storms. A brief biography read by emcee Janette Tepas introduced each poet as they walked to the podium accompanied by music from jazz duo Peter Swenson on guitar and Jason Dziedzic on bass. Approximately 120 audience members showed their appreciation with a round of applause for each poet.

BWW poets who read at the event include:

Trudy Kleckner, Have You Ever Seen a Dragon Fly

Toni Louise Diol, Ghosts Run Wild

Harlene Henry, Summer Fans

John Maxwell, The Poet’s Dance

Nan Claassen, Labor Day

The weather was perfect and so were the themed poems so graciously shared by the poets.

Janette Tepas introduces Nan Claassen

BWW Celebrates 45 Years of Creative Community

It was a beautiful day at Barrington’s White House to celebrate BWW’s 45th anniversary! Lots of stories got told and connections renewed amongst our community of writers and guests. Below are photos that capture some of the event and a poem by Jean Tolle, one of BWW’s founding mothers.

The day began with some BWW members gathered under the Catlow Theatre marquee honoring the occasion.

Inside Barrington’s White House BWW president Bev Ottaviano welcomes everyone and gives a champagne toast.

Barrington Village President Karen Darch reads a proclamation honoring the contributions of the Barrington Writers Workshop to the community.

Todd Arkenberg embraces one of BWW’s founding mothers, Jean Tolle.

Three panelists engaged the audience with their views on the writing life. They are from left Vu Tran, Rachel DeWoskin and Thomas Bradshaw.

BWW members celebrate 45 years together!

Here’s the poem Jean Tolle was inspired to write for the event. It includes a remembrance of some of those members who have passed. Let us all cherish the day.

Forty-Five Years!

by Jean Tolle

 Do they know how they

   inspired me

   encouraged me

   taught me?

  

  Gave me friendship?

 

Do they remember my

     stumbles

     lapses

     mistakes

 

     Gave me love?

 

For those I miss:
Jasmine Candlish, Linda Girard, Carol Scott, Vince Lombardo
Ray Spiess, Miriam Lykee, Marilyn Perry, Sollace Hotze
Gene Kimmet, Al Guthrie, Jack Roche

And others whose faces and work I recall, but whose names have skipped away.

 

 

Putting a Book’s Pieces Together

by Dorothy Winsor

Book ideas don’t always (often? ever?) leap into a writer’s mind full-blown. Sometimes disparate bits of a book have to be assembled like the parts of a stained-glass window. The idea for my new book, Glass Girl, came together in three pieces.

Piece One: A Factory Run by Women

The first inkling of this book came from a story on NPR. In a factory somewhere in Latin America, the workers (all women) protested when the owner cut their wages. In answer, he flung the key on the floor and told them they should pick it up and see if they could do better. So, they did. When they made the factory profitable, he, of course, wanted it back.

I was immediately captivated by the idea of the feminine world inside the factory, and it’s always satisfying to see the underdog triumph. It was a beginning I could work with.

But I write traditional fantasy set in a pre-industrial world. In that kind of setting, most work was done in people’s homes. So, what could I use for my factory? At that point, I remembered a long-ago trip to the island of Murano in the Venice lagoon. Murano has been known for its marvelous glass for centuries. Glass making was so important to the city that glass makers were rewarded with high social status. Less happily, they were forbidden to leave. I borrowed both those ideas for Glass Girl. More important for the first piece of my idea, glass making requires furnaces and big equipment. That is, it requires a factory. Voila!

Piece Two: A Dragon!

So, the book is set among all women crafters in a glass making factory on an island. As the island took shape in my mind, though, I realized I was picturing it as volcanic. The volcano had been dormant as long as people could remember, so what did my characters think was the source of the occasional wisps of smoke from the mountain top? Maybe I’d been watching too much “Game of Thrones,” but I decided they believe it’s a sleeping dragon. Everything should matter in a book, though, so I didn’t want to just toss in a random dragon. As I thought about that, I realized I could use dragons in a way I hadn’t seen before.

The sleeping dragon could be a visionary who worked through shared dreams. My characters could be artists in glass whose work was inspired by the dragon, meaning it was sacred. This link mattered because it gave a whole new significance to the struggle to save the factory from a feckless owner.

Piece Three: A Murder

At that point, I had a glassworks engaged in dragon-inspired art and a struggle to save it. Sadly, I concluded that wasn’t compelling enough to shape a whole book. What to do? There used to be a literary agent—Miss Snark–on line who gave writing advice. When a story dragged, Miss Snark would urge: “Kill someone! Set someone’s hair on fire!”

I chose the former option. I killed the central character’s mother, who is also the glassworks craft mistress. Well, I didn’t, but someone did, and seventeen-year-old Emlin decides to find out who it was.

Weight is given to her search by her grief, but also by the fact that since her mother was craft mistress, her murder offended the dragon. It was sacrilege.

The Pieces Assembled

So my story about women winning control of a factory had become about women making glass inspired by a dragon. Their art and their connection to the dragon are so important that the murder of the craft mistress threatens the social order. All that added up an idea for Glass Girl in which everything fit together and each piece added to the others like tessera, creating a story that was dramatically different from any of the original ideas.

Between learning about medieval glass making, writing about a dragon, and plotting a murder, I had a lot of fun writing this book. A book idea doesn’t always leap into the writer’s mind full blown. Sometimes the pieces have to be assembled.

Glass Girl is out May 6, the same day as the coronation. It’ll be House of Windsor vs. House of Winsor. Choose wisely. 😊

 

Amazon   https://www.amazon.com/Glass-Girl-Dorothy-Winsor-ebook/dp/B0C3T2Y961/

B & N     https://www.barnesandnoble.com/w/glass-girl-dorothy-a-winsor/1143392406?ean=9781913117214

Facebook    https://www.facebook.com/dorothy.winsor

 

Every Month is Poetry Month at BWW

Poet M. Harlene Henry

M. Harlene Henry

April is designated as poetry month but at the Barrington Writers Workshop every month is poetry month. In this post, M. Harlene Henry shares a poem of spring. For the past ten years her focus has been on writing Haiku, Tanka and Free Verse compositions. She says: “BWW is the oasis of support, encouragement and welcoming camaraderie that I’ve been searching for.”

 

 

GENTEEL SPRING

April 2023

 

the earth

splits asunder

 

our planet exhales

 

sprouts strain toward

spring’s beaming sun

brighter by orders of

magnitude than winter’s

low-watt glower

 

lustful lively critters

careen up down across

mulchy marshy meadows

daringly dart across

gardeners’ Crocs squelching

in soggy garden beds

 

where staid storm

windows stood guard

screens wave greetings to

whitecapped ice free lake

 

the senses reel

 

birdsong trills thrill

unmuffed ears on an

operatic scale

 

sunglasses shield winter’s

 squinty snowblind eyes

from spring’s dazzling

phosphorescent

purple hyacinths

 

lilacs’ aromas lure

those indoors outdoors

 

lapping tongues hail the rain

quit cursing the hail

 

fingers twitch to dig

deep deeper into

mother earth’s mass

 

genteel spring?

hardly

Let’s Celebrate 45 Years of BWW!

The Barrington Writers’ Workshop will be celebrating 45 years of creative community on June 17, 2023 beginning on the first floor of the White House in Barrington. Here’s what’s being planned for this fun and unforgettable event. Doors will open for BWW members and their ticketed guests at 1:00pm. BWW President Bev Ottaviano will give opening remarks at 1:30 followed with a champagne toast and appetizers. Barrington Village President Karen Darch will read a proclamation at 2:00pm honoring BWW’s history and ongoing influence in the village. This event is being held in collaboration with the Barrington Cultural Commission. Thank you, BCC.

At 2:30pm doors will open to public ticket holders for The Writing Life event to be held on the third floor of the White House. This portion of the BWW celebration will feature a panel discussion with distinguished authors and professors Vu Tran (University of Chicago), Rachel DeWoskin (University of Chicago) and Thomas Bradshaw (Northwestern University). The creative spirit in everyone will be inspired by topics including how a writer’s life constantly and unexpectedly dictates their artistic decisions, ways to be creatively brave and the role of the writer in today’s world.

Vu Tran

Vu Tran’s books include the Dragonfish and forthcoming novel, Your Origins. He teaches English and Creative Writing at the University of Chicago, where he is an Associate Professor of Practice in the Arts.

 

Author Rachel DeWoskin

Rachel DeWoskin

Rachel DeWoskin’s is a poet, former actor and author of Someday We Will Fly and Foreign Babes in Beijing. Three of her books are being developed for television. She is on the core creative writing faculty at the University of Chicago.

 

Playwright Thomas Bradshaw

Thomas Bradshaw

Thomas Bradshaw is a playwright, Guggenheim Fellowship recipient and professor in the MFA in Writing for the Screen and Stage program at Northwestern University. In addition to his several produced plays he served as a Consulting Producer on the Emmy and Peabody award winning Netflix mini-series When They See Us. He has had development deals with HBO/HARPO and FX/PLAN B, among others.

At 3:00pm the panel presentation will begin with a welcome and introductions by Rollin Potter, director of the Barrington Cultural Commission. A Question-and-Answer period will follow the presentation.

At the conclusion of the Q & A session guests will return to the first floor for a book sale and signing that will feature event speakers and BWW authors. A cash bar will be open until closing at 5:30pm.

For more information you may contact Bev Ottaviano or Mary Klest. There is no cost to BWW members. To purchase tickets for guests please visit The White House Events page at https://www.barringtonswhitehouse.com/events/ or call (224) 512-4066. Students 18 and under are FREE with paid adult admission. The White House is located at 145 West Main St in Barrington.

Enjoy the day!

 

Writing is an Active Pursuit

Writer Sheila Valesano

Writer Sheila Valesano

What did you accomplish in 2022 as a writer? What do you hope to achieve in 2023? Writing is an active pursuit, so this month we’re talking with BWW member Sheila Valesano, fiction writer, poet, screenwriter and all-around go-getter when it comes to writing.

What writer-focused events and activities did you attend or pursue last year?

In 2022, my screenplays, poetry and short stories were submitted to a number of groups. Here is a sampling:

  • Chicken Soup for the Soul – Lessons Learned from My Cat. I am a contributing writer, Meow Visits the Vet.
  • Barrington Writer’s Workshop – Actor’s performed my short screenplay, Unraveled.
  • NYC Midnight Rhyming Story Challenge – Alareen
  • Winning Writer’s Tom Howard/Margaret Reid Poetry Contest – The Mariner’s Daughter (Results pending – April 2023)
  • CINEQUEST Competition – BESSIE: Soul of a Pilot (Results pending – February 2023)

Why did you choose these venues?

In searching for the right place to submit my work, it’s important for me to find compatibility between my work and where I’m submitting. I want my work to resonate with readers. When the matchup is in alignment, it’s mutually rewarding. For example, my poems tend to be lengthy and rhyme. I look for places to submit that specifically state they are looking for rhyming poetry.

Did you have a favorite event?

It’s hard to choose just one. I am an alum of the Sundance Screenwriter’s Retreat in Utah’s Wasatch Range. The sessions led by Dave Trottier, author of The Screenwriter’s Bible, offer insightful script analysis. The Sundance Mountain Resort purchased and reimagined by Robert Redford, actor, producer, environmental activist and Sundance Film Festival Founder, offers a perfect serene space for screenwriters, like myself. We gather for inspiration, study, critiques, and relaxation. It’s great to have the synergy of a supportive group of writers. Upon meeting Robert Redford, I came to understand how a place can be a character.

My favorite writing contest is the NYC Midnight Screenwriting Competition. I love a challenge and this one is intense. There are three rounds with approximately 10,000 competitors from around the world. For each round, at midnight, competitors receive a deadline, a genre, a subject, and a character.  An original story must be written using those criteria. Deadlines are shortened for each round. As a finalist in screenwriting competitions, I’ve learned a lot from critiques provided by producers and directors. Their feedback taught me to compress my stories.

How do you find out about events for writers?

Information is available through writing organizations, writers, Internet, and books specializing in the craft of writing. I found my mentor at a workshop he taught at Columbia College in Chicago. He is an award-winning Hollywood screenwriter helping me reach my goals.

Tell me about the rhyming fairy tale contest you entered and why.

NYC Midnight offered a three round rhyming story challenge. The first-round criteria gave contestants eight days to write six hundred words or less. My assigned criteria included genre: fairytale, theme: defection, emotion: perplexed. I wrote Alareen, a 597- word fairytale poem that told the story of a young woman who witnesses her village’s mistreatment of a traveler, ensuing punishment, remorse, and restoration. Although the poem did not progress to round two, I received helpful feedback from the judges. Now that the contest restrictions no longer apply, I am free to expand the poem to develop the characters more fully.

What have you learned by putting yourself and your writing out there?

I’ve learned to cheerfully seek feedback for my work. It’s important to hear from people who are writers and people who are not. Both perspectives are helpful.

What will you be doing in 2023?

My plans include promoting the book, Chicken Soup for the Soul: Lessons Learned from My Cat. It launches February 14, 2023. I am pitching my screenplay, Bessie: Soul of a Pilot to producers. Additionally, I’m planning a few personal retreats for novel and poetry writing.

Editor’s Note: If you know of any upcoming events, contests or workshops for writers that you’d like to share please put them in the comment box below.