Category Archives: Writer interview

An Interview With Sci-Fi Writer Lance Erlick

Lance Erlick is the author of several sci-fi thriller books including the Regina Shen series, the Rebel series, Xenogeneic and his latest series Android Chronicles.

On your website you describe your work as: “Action-packed, science fiction thrillers with strong female characters.”  Why female protagonists?

Writer Lance Erlick I’ve been drawn to writing strong female characters because I grew up with strong, clearly defined women. My mother moved to Chicago when she was 18 to work in early radio. After the start of World War II, she volunteered for the navy. She put herself through college to get her BS, masters, and PhD, as a single mom. My paternal grandmother got her bachelor’s degree in math in 1917 because she was told women couldn’t major in chemistry, her primary interest. I found myself in the care of quite a few women, most of whom were highly motivated, with well-defined personalities. I began writing from the female POV when a character in one of my stories dared me to write her story.

Your latest series is called Android Chronicles. What is your fascination with androids – robots that look like humans?

During my lifetime, I’ve watched robots and computers evolve from clunky, difficult to use playthings to sophisticated machines and the beginnings of artificial intelligence. I became fascinated by the implications of making them more capable and refined. In some regards, an android that can physically and verbally pass for human presents one ultimate direction in refining robots. Certainly, not the only path, but if an android can pass for human in every measurable way, would it deserve human rights? That’s a question my stories wrestle with.

How did you come up with the idea for the Android stories?

I have been pondering android stories for quite some time but couldn’t quite create a framework until the idea came to me to write from the point of view of the android. Then the story practically wrote itself. I felt like I was typing dictation in creating it. Quite an inspiring experience.

What kind of research did you do to make the androids’ superpowers appear realistic?

I grew up reading Isaac Asimov and his various robot stories, which wrestled with artificial intelligent machines acquiring many human attributes. That stimulated my imagination to conjure up my own versions. In trying to come up with a viable storyline, I researched recent developments in both robotics and artificial intelligence and extrapolated. I wanted the intelligence to be entirely contained within the android so that it/she was not confined to being connected to outside computers. One book I enjoyed during this research was Artificial Intelligence by Melanie Mitchell. 

You’ve written several series.  Do you have a secret sauce for writing series?

I didn’t start out to write series. My first was Rebel. I couldn’t get Annabelle Scott out of my head until I gave voice to her story. My second series, Regina Shen, was envisioned as a series with five major stories. Android Chronicles: Reborn was written as a standalone, but as soon as I finished, much more of Synthia’s story welled up. As for secret sauce, all I do is write the stories that come to me.

What was your publishing experience like for the Android Chronicles?

Right after I finished the rough draft of Android Chronicles: Reborn, family health issues took me away from writing, publishing, and marketing at the pace I’d done previously. I contacted a number of agents I’d pitched in the past. One took on my new series and Kensington published it. This was a huge help since they did the final editing, the cover, and publishing. They took care of most of the marketing. I was very satisfied with how they handled my stories.

You sell your books through Amazon, Barnes & Noble, Kobo, Google Play, and Apple iTunes. Are those last three venues audio books, eBooks?

Kensington placed the audiobooks for Android Chronicles such that they are up for sale at all of those outlets, as are the eBooks. The last three sites add to my overall sales, but Amazon is still the big player.

You attend a lot of author fairs, why?

Going to events is an opportunity to step away from the solitary writer role and meet with other authors and potential readers. The best event I went to was one that lasted a few hours. A half hour prior to closing, most of the writers left. I was the last one there, packing up my books when a woman walked in, wandered over and we began talking about her interests and my books. She ended up buying one of each, eleven books in total.

What role does social media play in promoting your books?

I got heavily involved with using social media to promote my books. However, social media requires constant involvement to keep up. With family health demands, I haven’t had the time to continue doing so. I’m hoping to move back out in 2024.

For more see this post for Lance’s thoughts on getting book reviews.

Reborn book by Lance Erlick

Writing is an Active Pursuit

Writer Sheila Valesano

Writer Sheila Valesano

What did you accomplish in 2022 as a writer? What do you hope to achieve in 2023? Writing is an active pursuit, so this month we’re talking with BWW member Sheila Valesano, fiction writer, poet, screenwriter and all-around go-getter when it comes to writing.

What writer-focused events and activities did you attend or pursue last year?

In 2022, my screenplays, poetry and short stories were submitted to a number of groups. Here is a sampling:

  • Chicken Soup for the Soul – Lessons Learned from My Cat. I am a contributing writer, Meow Visits the Vet.
  • Barrington Writer’s Workshop – Actor’s performed my short screenplay, Unraveled.
  • NYC Midnight Rhyming Story Challenge – Alareen
  • Winning Writer’s Tom Howard/Margaret Reid Poetry Contest – The Mariner’s Daughter (Results pending – April 2023)
  • CINEQUEST Competition – BESSIE: Soul of a Pilot (Results pending – February 2023)

Why did you choose these venues?

In searching for the right place to submit my work, it’s important for me to find compatibility between my work and where I’m submitting. I want my work to resonate with readers. When the matchup is in alignment, it’s mutually rewarding. For example, my poems tend to be lengthy and rhyme. I look for places to submit that specifically state they are looking for rhyming poetry.

Did you have a favorite event?

It’s hard to choose just one. I am an alum of the Sundance Screenwriter’s Retreat in Utah’s Wasatch Range. The sessions led by Dave Trottier, author of The Screenwriter’s Bible, offer insightful script analysis. The Sundance Mountain Resort purchased and reimagined by Robert Redford, actor, producer, environmental activist and Sundance Film Festival Founder, offers a perfect serene space for screenwriters, like myself. We gather for inspiration, study, critiques, and relaxation. It’s great to have the synergy of a supportive group of writers. Upon meeting Robert Redford, I came to understand how a place can be a character.

My favorite writing contest is the NYC Midnight Screenwriting Competition. I love a challenge and this one is intense. There are three rounds with approximately 10,000 competitors from around the world. For each round, at midnight, competitors receive a deadline, a genre, a subject, and a character.  An original story must be written using those criteria. Deadlines are shortened for each round. As a finalist in screenwriting competitions, I’ve learned a lot from critiques provided by producers and directors. Their feedback taught me to compress my stories.

How do you find out about events for writers?

Information is available through writing organizations, writers, Internet, and books specializing in the craft of writing. I found my mentor at a workshop he taught at Columbia College in Chicago. He is an award-winning Hollywood screenwriter helping me reach my goals.

Tell me about the rhyming fairy tale contest you entered and why.

NYC Midnight offered a three round rhyming story challenge. The first-round criteria gave contestants eight days to write six hundred words or less. My assigned criteria included genre: fairytale, theme: defection, emotion: perplexed. I wrote Alareen, a 597- word fairytale poem that told the story of a young woman who witnesses her village’s mistreatment of a traveler, ensuing punishment, remorse, and restoration. Although the poem did not progress to round two, I received helpful feedback from the judges. Now that the contest restrictions no longer apply, I am free to expand the poem to develop the characters more fully.

What have you learned by putting yourself and your writing out there?

I’ve learned to cheerfully seek feedback for my work. It’s important to hear from people who are writers and people who are not. Both perspectives are helpful.

What will you be doing in 2023?

My plans include promoting the book, Chicken Soup for the Soul: Lessons Learned from My Cat. It launches February 14, 2023. I am pitching my screenplay, Bessie: Soul of a Pilot to producers. Additionally, I’m planning a few personal retreats for novel and poetry writing.

Editor’s Note: If you know of any upcoming events, contests or workshops for writers that you’d like to share please put them in the comment box below.

Janet Souter Co-authors Book on Post WWII Campaign to Unite Americans

Author Janet SouterJanet Souter began writing short stories and eventually joined her husband in writing traditionally published histories, biographies, and fine arts books. Her career includes eight years at the Daily Herald newspapers where she served as a community news coordinator, a weekly columnist and feature writer. She co-authored the recently published book “Selling Americans on America” with her husband Gerry Souter.

How did the writing of this book come about?

In 2015, we were hunting around for another writing project to pitch, so I thumbed through a book titled “The Columbia Chronicles of American Life 1910-1992”. I decided to check out the WWII post-war years, because it was a period we didn’t know a lot about. I found an item about the 1947 Freedom Train and how it traveled the country with original historical documents. We discovered there weren’t any books about it. From then on, we were hooked.

What did you find to be the best resources for your research?

A paper titled “Freedom Train: Citizenship and Postwar Political Culture”; several newspaper articles of the time, and references in books about the postwar period were valuable resources. Also, we found collateral material in the McLean County History Museum in Bloomington, IL. We couldn’t find anyone who had visited it, but one or two people had family photos taken with it.

What fascinated you about the book’s subject?

For me, it was the way that every town—over 300 of them—enthusiastically welcomed the train. They celebrated it with parades and pageantry during “Rededication Week” prior to the train’s arrival. Townspeople offered their services to the train’s staff, especially to the Marines who guarded it. I don’t know if there would be that much dedication today.

Will you describe some of the strife you discovered during the years 1947 to 1949 when the Freedom Train was crossing the U.S.?

Most of all, there was tremendous labor unrest. In 1946 alone and into 1947 there were more walkouts than at any other time in our history. President Truman wanted to continue the rationing that had been going on during war time. There was a housing shortage, coupled with inflation. People were tired; they wanted the good life.

The Freedom Train was privately funded by the advertising industry, civic groups, entertainers, and business leaders. It was also apolitical. How did you decipher their motivation and cooperation?

In addition to what I mentioned above, I believe there was an undercurrent of fear of “creeping socialism” or Communist infiltration. The people that made up the American Heritage Foundation (a different group than the AH today) wanted to re-ignite the nation’s patriotism so that “foreign ideologies” wouldn’t take hold. They saw the Freedom Train as the perfect messenger, believing “you can sell ideas as well as merchandise.”

Does writing now impact how you wrote about then?

Every book is different and has its own voice. For this book, we wanted to tell how the people were impacted by seeing the original documents that showed our fight to achieve and hold onto our rights and liberties.

Why was it important to include little-known historical facts in the book?  

As always, we didn’t want to make this book a dull relating of facts. It is important for the reader to know the mindset of the period. We tried to tell some of that through particular incidents: Brooklyn teen-age girls “kissing” the train, leaving lipstick smudges on it. A woman who visited the train was heard commenting, “I bet the damn Russians don’t have anything like this.”

Have you seen any of the original documents, artifacts, or memorabilia that were on the train?

I recall seeing the Declaration of Independence and possibly the Constitution on a class trip to Washington when I was in high school. It is impressive to view a piece of paper that was touched by our Founding Fathers centuries ago.

Why did you decide to draw comparisons of then to now in the book?

It was a natural. In the 1940s people were unhappy with the way the country was going at the time, but they were worn out from all they endured through the Depression and the war. Today the unhappiness is divided along political lines. No one wants the divisiveness, but neither party or philosophy wants to meet the other halfway.

After writing the book, do you feel hopeful for America’s future?

I always feel hopeful for the future. In the past I’ve seen the pendulum swing the other way when situations become too extreme, which they certainly are today. But it will take several years, I think.

You have written nonfiction and fiction in many genres. Do you have a favorite?

For me, I especially like anything to do with American history.

What do you like most about traditional publishing?

We get paid upfront, either through an advance against royalties or work-for-higher. Neither pays a lot but we have worked with some wonderful people who recommend us to other publishers. As we all know, the publishing world has changed and we must adjust and re-think the process.

What are you working on now?

We’ve decided to concentrate on fiction, which doesn’t require travel or the need to find images. It can be frustrating, challenging and full of angst, but it can be fun too. I love doing the research.

When Father Becomes a Character

Author Harry Trumfio

Author Harry Trumfio

Harry Trumfio is a former public school superintendent, a private school headmaster, and served as Chairman of the Department of Education at Benedictine University. He is also the father of four children and grandfather to six. In two recently published books he explores and honors the role of fathers.

When you began the story about your father what did you want to prioritize?

Of Saints and Wooden Nickels was the result of many breakfast meetings with my dad as I endeavored to learn more about his early life. I actually incorporated some of what I learned at the eulogy I gave at his funeral. After his death I t reflected up what I had learned and thought his story would make a good book. I wanted to develop his character and the mystery surrounding his family in Italy. I needed to begin with his early life in Chicago and his place in his close-nit family.

How did you get the reader engaged in what your father experienced?

I tried to provide descriptions of characters, places and events and then describe my dad’s reactions and those of the characters involved in the situations. His drive to discover a closely guarded family secret is the moving force behind the story.

Point of view is a primary tool in writing. How did you tackle it in the story?

The story is written in the third person. If I were to do it again, I think I would choose first person.  I believe it would provide a greater exploration of his reactions and feelings at the time of each of the incidents described in the story.

Was it hard to portray struggles when the main character is your father?

Since I had spoken with my dad about the various situations described in the book, I had an idea of their content. Writing dialog to go along with the scenes was a bit of a challenge but since I had a pretty good grasp of my dad’s personality, I think I was able to write a realistic portrayal of the circumstances and encounters throughout his quest.

What resources did you rely on when writing the story?

Of course, my major resource was my remembrances of our breakfast conversations about his early life in Chicago, and his quest to discover the family secret. I also relied on the Internet for descriptions of the ships, locations and conditions in Italy during the time of the story.

What did you find was the best way to keep driving the story forward?

I used the chronology of his venture and the incidents he told me about along the way to keep the story moving forward.

What makes your book “An American Story”?

My dad was a self-made man. The book is a coming-of-age story. I believe his story illustrates that dogged determination growing up, if continued, will lead one to success in later life.

Soon after finishing the story of your father, you published an illustrated children’s book about a father and his two sons. Where did you get the idea for this book?

The happening described in the book is based upon the actual experiences my brother, Dominic and I enjoyed working with my dad making candy and especially his signature frozen confection treats.

What do you hope readers will take away from this book?

The close and loving relationship fathers and sons can engender when they work on activities together.

Did you have children read it before publishing? What was their response?

Response from the illustrator’s child was very positive. Adults that read it, loved it.

How has the community of writers at BWW helped you as an author?

BWW members have been a great help by sharing thoughts and ideas that are useful in improving any work I put forth.

How did you publish the books? Are you happy with the results?

Of Saints and Wooden Nickels was self-published through Book Baby, who also provided editing suggestions. Dad, Our Candy Man was managed by Chris O’Brien at Long Overdue Books. He and his staff were a tremendous aid in moving the story idea to finished illustrated book. I owe a special thanks to Dena Ackerman who provided the wonderful illustrations.

Happy Father’s Day to all dads!

Of Saints and Wooden Nickels book cover   Dad, Our Candy Man

An Unlikely Writer

Today’s interview is with a novice voice who took a bold step into the world of writers to publish a memoir, which goes to prove that anyone can write a memoir.

You decided to write a memoir but you’re a nobody with a seemingly mundane life. Why?

A nobody!? Meeeeoooow! Quite the catty remark from someone looking to me for answers
and inspiration, wouldn’t you agree? Swatting your slight aside, let me just say that most writers know that there are no mundane lives, only poor creatures who plod through a boring
existence without imagination, curiosity, or spunk. Those who settle for skim milk instead
of insisting on cream.

I say “seemingly” because you do come across some challenges, one being orphaned at a young age. How did you get through it?

The cobble-stoned streets of Brussels were a mean but very effective teacher. To survive, I learned not to behave as a victim. Heck, the ordeals I’ve endured could fill one lifetime or even nine. I’m curious by nature and quite fearless. I didn’t do it all alone though. Even a solitary stray like me needs scraps of compassion from time to time. My success and survival depended upon the kindness and aid of an array of acquaintances and strangers.

Who do you find to be the most interesting character in your book?

Your question implies that either I can’t pick myself or I shouldn’t do so. Really, the entire story revolves around me. Who could possibly be more interesting than the hero of the memoir? But if I must choose another character, I’ll say Rex. Why? He’s about as complex as characters come. What we see isn’t what we get. A classic anti-hero with rough edges and a mean streak but also a heart of gold. A bark definitely worse than his bite. Rex is someone who isn’t easy to befriend. But he’s someone, nonetheless, whose friendship is its own reward. Continue reading

Where to Begin – An Interview With Author Georgann Prochaska

Author Georgann ProchaskaWith a new year come lots of new beginnings. Author Georgann Prochaska talks about how she begins a story and how important good beginnings are. Georgann holds a degree in literature, taught high school English classes for 34 years, and has published seven books since 2014.

How does the beginning of a book idea come to you?

I usually begin with a what-if. What would happen if after a woman’s death, her family publishes 20 years of her private correspondence with neighbors to a blog? Or what if a vulnerable person like a migrant worker’s child or a homeless woman who lives in a vineyard holds valuable information about a murder? For me, mysteries begin with discomfort.

What do the beginnings of your stories have to include? 

A problem (not necessarily murder), and sleuths to swing into action. I ask myself what determines a character’s response. For example: Madtree begins with a delayed wedding, the arrival of police cars, some guests not what the bride expected, and the groom’s odd behavior. What causes unusual behaviors? Luckily, a posse of friends stands ready to snoop. Continue reading

Origins of The Space God Memoirs Podcast

BWW member Alex Oleksiuk, pen name A.M. Arktos, describes the journey of writing and producing his upcoming podcast series, The Space God Memoirs.

Alex Oleksiuk, creator of Space God Memoirs

Alex Oleksiuk

As I near the final stages of launching my first audio fiction podcast,  I can see that my years spent in the Chicago improv scene, acting classes, and a number of voice-over lessons have paid off.  I chose the audio format as it seems the best medium to bring my characters and world into existence.

The podcast story is set in a science-fantasy universe of soul powered technology, galactic warfare and sentient starships. Space God is a tale filled with action and adventure, a touch of humor, and a dash of spirituality.  It is a continuing story told by Keph, a young adventurer from a backward planet, who finds himself pulled into a conflict of cosmic proportions.  The original idea for the series came to me in a dream, though it features an amalgamation of ideas inspired from role-playing games, ancient astronaut theory, and all the weird media I’ve consumed over the years.

By the time I finished the first draft I was writing with audio in mind.  Like many people I enjoy listening to fiction, and in recent years I’ve gotten more into audio books than paper ones. I knew it would be a daunting task.

The early stages of preparing Space God were similar to writing a novel.  Writing drafts, editing them, re-arranging the chapters, removing characters, adding characters, putting together swathes of lore that was mostly for my own reference, etc.  I went through multiple revisions of what became the first season of Space God, assisted by constant commentary from my faithful BWW writers group.  I spent many moons during the pandemic poring over my documents and refining my work, delving deep into the Space God universe and channeling Keph into this reality. Continue reading

Moving the Lessons of History Forward in Fiction

Ed Plum historical fiction novel

Writer Ed Plum

Ed Plum taught social studies and English integrated studies for thirty years at Barrington High School.  A Scripps-Howard grant funded Ed’s masters’ thesis, “A History of the Church of God (New Dunkers) 1848-1962.  He authored eight articles from the thesis for The Brethren Encyclopedia, Vols. 1 and 2, Philadelphia, 1983. He’s working on a historical fiction novel.

You were a high school social studies teacher. What historical time period intrigues you most?

The question is somewhat like asking who my favorite child is. I am most intrigued by periods of major cultural, technological, intellectual, and social change because of the varied responses to these changes. I’ve spent a fair amount of time studying the nineteenth century that created the political contours for the world I’ve lived in for 74 years.  Classical Greece and Chinese civilization interest me for the philosophy and literature.

What made you decide to write rather than read, study or teach from books?

 My pedagogy prepared me to write historical fiction.  I collaborated with others in designing social study problems for the classroom.  Students assumed a character’s identity from a specific time, dressed in costume, and attempted to achieve a particular objective, i.e., convince a Medieval town council to adopt sanitary measures to prevent the spread of a plague without revealing one’s modern identity. Writing a historical novel contains a more compelling narrative and has a wider impact than instructional material.

Your story is set during World War II with characters who are conscientious objectors (COs). How did you go about choosing this as a subject for your novel?
Continue reading

Sung Kim Shares the Struggles and Aspirations of a Self-Taught Writer

Writer Sung Kim

Writer Sung Kim

Sung Kim is a South Korean immigrant who came to the United States in 1984 at the tender age of ten with his parents and older brother. Sung’s practice in writing short stories has led him to the current challenge of working on two novels simultaneously. He has a degree in art and shares his thoughts on what it’s like to be a self-taught writer.

You are a graphic designer by trade, what attracted you to putting words on the page?

As anyone who enjoys reading, I too, since a young age, always wondered if I could write a book. When I first came across Cormac McCarthy I thought if only I could write just one paragraph or even a sentence like him, I would die a happy man. So, one day, after a long period of procrastination, I sat on my dining room table, pictured a scene in my head, and just wrote. To my surprise it was quite good. To this day, I think what I wrote on that kitchen table might be my best paragraph yet.

Why and how are you working on two novels at once?

It comes from my short story writing habits. I always write multiple, that way if I get stuck on one, I can continue on with another. I was hoping that it will carry over to novels, but so far it doesn’t seem to want to work as I am stuck on both novels. I am finding novels are a completely different animal from short stories. Continue reading

John Maxwell on Being a Not-Yet Published Writer

Profile of BWW member John MaxwellBWW member John Maxwell has not published any books yet. He is working on a young adult fiction story about a troubled boy who encounters an old wise man who agrees to take him down river in a canoe so the boy can reach his ailing mother. John is also working on a non-fiction book that shares the lessons he’s learned as a sales training mentor to small business owners. In this interview he shares his thoughts on the unromantic parts of being a not-yet published writer.

How often do you stare at a blank screen and produce nothing worthwhile?

It happens frequently. Too often I sit down with the intention to write and I have nothing in my head. Sometimes I’d just jump into it and write a few paragraphs. Then I read it and decide that what I have written is crap and I just delete it.  I know the formula to break this is to change my surroundings or immerse myself in other creative work. When my brain is re-stimulated, the content can begin to flow again.  Continue reading